Terrence Malick's "The Tree of Life" -- winner of the top prize at this year's Cannes Film Festival -- has provoked all sorts of discussion on its meaning and the nature of its narrative structure. Some people find its investigation into existence and the presence of cosmic consciousness to be profoundly spiritual and religious, the first great mainstream American movie to address such questions since "Close Encounters of the Third Kind" and "2001." Others are just perplexed or wary -- they wonder why a film ostensibly about a family in small-town Texas in the 1950s has an interlude with dinosaurs, or shots of a mysterious flickering light. And why does the story line jump around so much?
This Sunday (July 24th) at 1 p.m. at the Esquire Theatre, 320 Ludlow Ave. in Cincinnati, you can see the matinee and then stay for an audience discussion moderated by Steven Rosen, Cincinnati CityBeat film writer. The price is $6.75 -- standard matinee admission.
Malick has only made five movies in a long career, starting with 1973's "Badlands," and each is painstakingly personal and marked by an attempt to see his characters as players on a larger stage where nature, itself, has equal billing. Is "The Tree of Life" his masterpiece? Or is it overly ambitious?
This is your chance to see the movie, discuss it and hear other ideas. Weigh in on one of the year's most talked-about films and a potential Oscar nominee. For more information, visit http://www.esquiretheatre.com/.
No comments:
Post a Comment